#Use adobe audition how to#

One way you can edit a track is to trim either the start or end, this is ideal for audio that already have a fade in or out - You can easily trim the file by grabbing the edge and moving it to cut the audio.ДЄlternatively use the crossfade to fade in and out tracks. You want your shows to sound radio friendly, so going from one track to another it should have no gaps, be nicely faded between items, and edited together for seamless transitions. When you have a couple of tracks in your multitrack editor it should look something like this: wav it will automatically convert it to a unified format for the project you are working on which is handy if you have an assortment of different types of tracks.

The great thing about Audition is it will convert any file, so it doesn't matter what file you add, whether it's an. Adding TracksДrag and drop tracks directly into Audition, either in the 'Files' section for you to save the track for later or you can add it directly into your multitrack session on a layer, for example we have added a jingle onto the timeline. On a basic level this is how you can structure radio shows to manage each type of audio. In this example we will add music at the 1st layer, jingles/sweepers for the 2nd layer, and finally a voice-track for the 3rd layer. This will bring up the multitrack editor where there's lots of different layers for your audio. The first thing you need to do when Audition is open is to create a new multi-track session where all of your audio files will live - Select 'Multitrack' and enter a 'Session Name' for your show. If you don't already have Audition then you can get it as part of the Adobe Creative Cloud package.

#Use adobe audition how to#

I promised you an easy way to download all of the presets IвЂ™ve spoken about in the podcast and here it is! Get your free Adobe Audition presets.Adobe Audition has been a staple of radio studios for over 15 years, even going by the name ' Cool Edit Pro' around a decade ago - Most radio stations expect that you know the basics of how to use Audition or something similar to edit radio shows, but for this guide you will learn how to use Adobe Audition. The compression is simply a light 2:1 setting above -20dB but it makes a difference to raw voice sessions. ItвЂ™s not too heavy and this is important especially if youвЂ™re going to compress the voice again when you drop it into the multitrack. There is a really cool multiband compressorВ integratedВ from iZotope into Adobe Audition CC but I find the native Audition вЂDynamics ProcessingвЂ™ perfectly fine for compressing voice over sessions. Listen to some examples in the podcast audio. Echo is great for when you end a radio jingle or DJ drop so that the radio station name or host name echoes away into a music track. I have created my own custom echo that works great when you mix vocals with music and imaging sfx. There are many echo presets in Adobe Audition some of which are really decent and others are not designed to be used on vocals. A little wetness on the reverb adds a great sound to audio production although other radio imaging producers may argue that reverb is old fashioned and that you should knock out low and high frequencies on a voice over so that it cuts through anything вЂ“ just like those fancy menвЂ™s razors you see advertised on TV! 2.

This is not something I would apply in the waveform view of Adobe Audition rather the multitrack as it involves a number of different effects (including Dynamics Processing, Graphic Equalizer and Studio Reverb).

Some voice artists donвЂ™t need this process but in many cases sessions come in dry and need a little brightening up. I push up the high range frequencies to give a little sparkle to the voice.

I add some of my own custom EQ to voice overs, like my own, and other voice over artists that perform work for Music Radio Creative.